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As yet no research has been published
on the subject of web architectures for music. The design
and development of the two-layered web architecture for
Malaysian music can be applied as a model of web
architecture for music education, specifically for the
introduction of the music of a particular country or
region. The model is designed and developed in two phases:
the building of the subject architecture, or the content
development phase; and the design and development of the
application architecture. However, no comprehensive
classification method for Malaysian music currently
exists. Furthermore, information about all the various
types of music in Malaysia is not easily available.
The research methodology includes the collection of
information about Malaysian music from existing data
sources and through field research, undertaken to obtain
information about types of music known in Malaysia, but
not yet covered by existing publications. This is
followed by the design and development of the web
application prototype. The complete web architecture is
then analyzed and tested to determine its suitability for
delivery of music related content. To aid in the
development of the subject architecture, a systematic
classification method for Malaysian music is proposed.
Data collected is organized according to the subject
architecture and digitized for hypermedia presentation.
System specifications, design, coding, testing and
validation of the prototype application follow. The
prototype is implemented on a World Wide Web server. An
analysis of the prototype web architecture is carried out,
including a functional analysis as well as a usability
analysis.
Research findings indicate that the web architecture is
reliable, efficient and suitable for its purpose, besides
being well received by users. It is also easily
extensible to include educational modules. The
classification scheme proposed is found to provide a
logical approach to the study of Malaysian music. Much
previously unpublished information, especially in the
area of art music, is published through the web site. In
conclusion, the prototype web architecture model provides
a suitable extensible platform for the delivery of
Malaysian music content, which may be packaged for the
purpose of music education, or adopted for the
introduction of the music of any region. |
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-
Ang,
M. Musical Malaysia. [Online]. Available:
http://www.musicmall-asia.com/malaysia/
- Ang, M., Abu
Talib O., Ramani, A.K., Gan, S.L. & Matusky,
P. (1998). A Layered Architecture for Music:
Malaysian Music on the World Wide Web. Organised
Sound, International Journal of Music Technology.
3(2):101-15.
- Ang, M. (1998).
Malaysian Music - A Comprehensive Discussion
On The Different Types Of Music Found In The
Country: Contemporary Art Music, Classical Music,
Syncretic Music And Folk Music. Serdang:
Conservatoire Productions. 64 pp.
- Ang, M.,
Ramani, A.K. & Abu Talib O. (1998). A
Web Architecture for an Information System for
Malaysian Music on the World Wide Web. Malaysian
Journal of Library & Information Science.
3(1): 1-24.
- Ang, M.,
Ramani, A.K., Tee, E.R. & Abu Talib O. (1998).
A Distributed Collaborative Hypermedia Web
Architecture For Music Education: A Model For
Malaysian Music On The World Wide Web. Journal
of Information Technology. Jilid 10 Bil 1,
June 1998. (Accepted for Publication).
- Ang, M. Types
of Music in Malaysia. (1998). Multimedia
in Education Conference, MMIE 98. (Multimedia
dalam Pendidikan). Universiti Utara Malaysia,
Sintok, Kedah. 7-8 March 1998. Proceedings pp. 31-36.
- Ang, M.,
Ramani, A.K., Tee, E.R. & Abu Talib O. (1998).
A Web Architecture For Music Education.
International Conference Technical Education
in the 21st Century: Challenges and Strategies in
Global Perspective. 8-10 January 1998. Bhopal,
India. Proceedings pp. 494-501.
- Ang M., Tee, E.R.,
Abu Talib Othman & Abdul Azim Abdul Ghani. (1997).
An Interactive Multimedia Courseware
Repository Over The Internet. Malaysian
Journal of Library & Information Science.
2(1): 1997.
- Ang M., Abu
Talib Othman & Abdul Azim Abdul Ghani. (1997).
An Interactive Multimedia Courseware
Repository Over The Internet. INTEC
97: UPM Serdang, 20 May 1997.
Proceedings pp. D51-54.
- Ang, M. (1996).
Peranan Muzik dalam membina Bangsa Malaysia.
in Papers presented at the Kongres Sejarah
Malaysia II, Persatuan Sejarah Malaysia, 26-28
November 1996. Bangi: Universiti Kebangsaan
Malaysia.
- Ang, M., Abu
Talib Othman, & Tee, E.R. (1996). World
Wide Web Audio: Ensuring Adequate Hardware and
Software Configurations. Malaysian
Journal of Computer Science. 9(1): 1996.
- 12.Ang, M.
& Abu Talib Othman. (1996). Internet
Based Music: A Look At Current Technologies for
the Delivery of Music over the World Wide Web.
REDECS 96. 26-27 June 1996. UPM:
Serdang. Proceedings pp. 289-293.
- Ang, M. (1996).
Pendidikan Muzik dan Zaman Komputer.
in Papers presented at the Seminar
Pendidikan Muzik, Pusat Perkembangan Kurikulum,
Kementerian Pendidikan, 9-10 Januari 1996. Kuala
Lumpur: PPK.
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Relation to the Work
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Paper Ref.No.
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| 1. |
provides
a rationale for the importance of music in nation
building and shows how the development of the web
application can be of significance in this
respect. |
[10]
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| 2. |
provides
an introduction to how the computer is and can be
used in the field of music, and especially in
music education. |
[13]
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| 3. |
the
result of a survey of the use of audio with
Internet based systems in Malaysia. This
information provides suitable background
information on the target audience for the web
application developed during the course of this
work. |
[11]
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| 4. |
provides
a technical review of technologies used for the
delivery of music over the Internet, and is a
section of Chapter Two in the Dissertation. |
[12]
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| 5. |
appears
in Chapter Three of the Dissertation, being a
part of the web development methodology. |
[5], [8] & [9]
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| 6. |
appears
in Chapter Four, as part of the Web Design. |
[7]
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| 7. |
the
results of the music research, appears in Chapter
Five, as well as the content of the web
application developed. |
[1],[3], [4] & [6]
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| 8. |
encompasses
all aspects of the work, the summary of Chapters
One to Six. |
[2]
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